Hymnody for this Mass is selected from the archive of hymns picked by none other than Father Bucci. :)
BMP
Hymnody for this Mass is selected from the archive of hymns picked by none other than Father Bucci. :)
In presenting music for today, we do include a couple of Shepherd references, namely at the Offertory (In heav'nly love abiding, particularly the second verse) and Communion (He shall feed his flock, from Handel's Messiah), while the Entrance and Recessional hymns (At the Lamb's high feast we sing and Crown him with many crowns, respectively) make reference to Christ as the Paschal Lamb.
So much has gone on over the past few weeks. Sadly one of those events was the death of our beloved pastor, Fr. Richard A. Bucci on March 22, as well as his burial on Spy Wednesday, March 27. Father Bucci was a staunch defender of Christ's Bride, the Church, its faith and, of course, its liturgy. A true hero for the faith, and a true definition of the term "fearless leader!" If he found something amiss, he'd let you know, regardless of rank in the Church or in politics! I am happy to have been his organist for the past 13 years (well, less than a month shy) and secretary for the past 5-1/2 years. While it's only been 12 days between his death and the day I'm writing this, Fr. Bucci is definitely missed here at Sacred Heart. At the moment, we have Fr. Gregory P. Stowe as our temporary administrator.
My apologies for not posting the Holy Week/Easter music during that time. It's exactly the same as it was last year.
We had some room in the bulletin this coming weekend, and Fr. Stowe asked me to "go ahead and fill it," which I did. For the first time in my 13 years at Sacred Heart, I wrote a blurb of my own, and I will share it here for those who might not make it to Mass.
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Liturgical Tidbits from Brian Michael Page
WHAT’S IN A NAME?
This Second Sunday of Easter, the eighth day of the Easter Octave, is traditionally known as “Low Sunday.” The origin of the name is unknown, but is meant to contrast between that first and final days of the Octave, between the high feast of Easter Sunday (and its Great Vigil) and the finale (Low Sunday) (source: newadvent.org).
Another name traditionally given is “Quasimodo Sunday,” after the first word of the Introit in Latin: “Quasi modo geniti infantes, rationabile, sine dolo lac concupiscite” (Like newborn babes, crave for pure spiritual milk). Incidentally, the names “Gaudete Sunday” (for the Third Sunday of Advent) and “Laetare Sunday” (for the Fourth Sunday of Lent) are also after their respective Introits’ first words, both meaning “Rejoice.”
Today we name this day “Divine Mercy Sunday,” as decreed by Pope John Paul II in 2000 upon the canonization of St. Faustina Kowalska, who had received revelations from Our Lord Jesus Christ on the Divine Mercy (source: ewtn.com).
THREE SONGS OF THOMAS
In today’s Gospel, the Apostles revealed to Thomas, “We have seen the Lord.” Thomas replied that he will not believe it until he has put his finger into the nail marks or touch his hands or his side. Jesus replied, “You believe in me, Thomas, because you have seen me! Blessed are those who have not seen me but still believe!” (also repeated in today’s Alleluia verse). Three of today’s hymns reflect this.
Ye Sons and Daughters (Pew Missal, #286) – At the Offertory, we will skip the first three verses today and go right to the Gospel allusion, which begins with verse 4, which directly depicts the scene I mention in the above paragraph (which goes from verses 4 through 8).
Adoro Te Devote (Pew Missal, #75) – This hymn, which will be sung during Communion, has a couple of allusions. Although this hymn as sung today is in Latin, I call your attention to a couple of verses (I will use the most directly translated hymn, Godhead Here in Hiding.) Verses 2 and 4:
Incidentally, the hymn text in Latin comes from another Thomas, that is, St. Thomas Aquinas (1225-1274), author of several Eucharistic hymns, including the beloved Tantum Ergo.
We Walk by Faith and Not by Sight (printed in the Mass Guide insert) – The title here is self-explanatory. Here, while not calling out Thomas directly, we still “call out” his doubt in singing these words (Verses 1 and 2 are as follows):
This is our recessional hymn today, set to the familiar tune, “St. Anne,” most commonly used with the hymn, O God, Our Help in Ages Past. The author is Henry Alford, who also gave us the beloved Thanksgiving hymn, Come, Ye Thankful People, Come.
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And now, without further ado, the music for this three-day weekend